Abstraction in Dance
Oskar Schlemmer, costumes for Triadic Ballet, ca. 1923; Spiral Dancer, copyright The Oskar Schlemmer Theatre Estate, Badenweiler, Germany.
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As early as 1914, Oskar Schlemmer, a painter and sculptor, began working on a project he called Triadic Ballet. First performed in Stuttgart in 1922, it is less a ballet in the conventional sense than a multidisciplinary, Constructivist work of art. The piece, which consists of dance, costumes, music, and pantomime, is composed of three distinct sequences ranging in mood from lighthearted to serious. Its choreography derives from the distinct character of each costumed dancer, or figurine in Schlemmer's terms. He analyzed and isolated the primary gestures in the movement of the human body, reduced them to a basic set of elementary forms the ellipse, straight line, diagonal, and circle and designed his costumes and dance steps based upon these forms. Schlemmer's work on this project became the basis for his fundamental-systematizing dances the Form, Gesture, Space, Stick, Scenery, and Hoop dances which he taught at the Bauhaus while in charge of its theater workshop from 1923 to 1929.
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